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"I think the days are lengthening," says Violet, quietly, defending Mona unconsciously, and almost without knowing why. Yet in her heart—against her will as it were—she is making room for this Irish girl, who, with her great appealing eyes and tender ways, is not to be resisted.,

That fret the clouds are messengers of day.",

"Oh! if you mean by that you want to get rid of me, you might have said so long ago, without all this hinting," says Mr. Rodney, huffily, preparing to beat an indignant retreat.,

An old crone is sitting over a turf fire that glows and burns dimly in its subdued fashion. Hanging over it is a three-legged pot, in which boil the "praties" for the "boys'" dinners, who will be coming home presently from their work.

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"I can give you the size of my waist and my shoulders, and my length," says Mona, thoughtfully, yet with a touch of inspiration.,

Of course everybody that is anybody has called on the new Mrs. Rodney. The Duchess of Lauderdale who is an old friend of Lady Rodney's, and who is spending the winter at her country house to please her son the young duke, who is entertaining a houseful of friends, is almost the first to come. And Lady Lillias Eaton, the serious and earnest-minded young æsthetic,—than whom nothing can be more coldly and artistically correct according to her own school,—is perhaps the second: but to both, unfortunately, Mona is "not at home.",

"You have not gone into it," says Lady Lilias, regretfully. "To you Nature is as yet a blank. The exquisite purple of the stately thistle, that by the scoffer is called dull, is not understood by you. Nor does your heart swell beneath the influence of the rare and perfect green of its leaves, which doubtless the untaught deemed soiled. To fully appreciate the yieldings and gifts of earth is a power given only to some." She bows her head, feeling a modest pride in the thought that she belongs to the happy "some." "Ignorance," she says, sorrowfully, "is the greatest enemy of our cause.",

"Then I will sing you a song I was sent last week," says Mona, and forthwith sings him "Years Ago," mournfully, pathetically, and with all her soul, as it should be sung. Then she gives him "London Bridge," and then "Rose-Marie," and then she takes her fingers from the piano and looks at him with a fond hope that he will see fit to praise her work.